The second contradiction of the contemporary museum is the fact that the age that values only what is useful ends up collecting and preserving what is useless. And our age in no way dares to imagine that progress itself would ever become the achievement of history, and this grave, this museum, becomes the reconstruction of all of progress’s victims at the time when struggle will be supplanted by accord, unity in the purpose of reconstruction, only in which parties of progressives and conservatives can be reconciled, parties that have been warring since the beginning of history.
#Flux meaning full
Our age deeply reveres progress and its full expression-the exhibition, i.e., the struggle, the extrusion-and of course would wish eternal life for this extrusion, which it calls progress, this perfecting, which will become so perfected as to annihilate that pain which necessarily accompanies this perfecting, as it does all struggle.
The only thing higher than the old tatters preserved in museums is the very dust itself, the very remains of the dead just as the only thing that would be higher than a museum would be a grave, unless the museum itself does not become a transport of ashes to the city, or a transformation of a cemetery into a museum. ( PROSE: The Book of the War) Grandfather Paradox was thought to have retired from history in this way.The museum is the last remnant of the cult of ancestors it is a special type of that cult, which while being expelled from religion, as we see with Protestants, is reestablished in the form of museums. They survived only as shadows on the walls of the Eleven-Day Empire. This would force their bodies into a flux state seen as divinely paradoxical, transforming the individual into a fugue-like structure of equations and making them feel closer to the loa. Suicidal members of the Faction sometimes ritually killed themselves by murdering themselves as children. However, in the first fifty years of the War in Heaven, the Great Houses failed to produce any such balanced fluxes.įaction Paradox used unstable, infinitely-accelerating fluxes to create its sombras que corta because of the Faction's alter-time systems, the fluxed objects remained visible in shadow form instead of becoming purely theoretical as a result of the imbalance.
Other Celestis-invented applications of flux theory were anarchitects and gargoyles.
The creation of stable fluxes was pioneered by the Celestis, whose realm of Mictlan was one giant flux. However, if a stable balance was maintained, a Shift would be created. Most fluxes lasted for only two or three cycles of change before either the death of either the person's future version (causing the process to limit itself) or the past version (causing the process to infinitely accelerate). Because of the limiter setting, tiny actions taken by the future version would have very large effects on the past version, which would transform the future version's biodata and in turn alters the changes made to the past version.
One was created when an individual used a very high chaotic limiter setting to go backwards in time but not far in space, effectively turned loose in his or her own history. You may wish to consult Flux (disambiguation) for other, similarly-named pages.Ī flux was an individual whose history was continuously changing.
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